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First a word of warning. This film is
made for French audiences who tend to know rather more about
French history than the average Anglo-Saxon audience.
Before you watch this film you should
do a little research about the St. Bartholomew's day Massacre.
Or failing that, here's the very minimum you need to know
to make any sense of this film.
Sixteenth century France was riven by
religious wars in which Catholics and Protestants (Huguenots)
killed each other with the sort of liberal barbarity that
has always characterised true believers. Towards the end
of the century the immature Catholic King Charles IX was
a puppet of his mother, Catherine de Medici. She wanted
to marry her daughter Margo de Valois to a Protestant king,
Henry of Navarre, hoping that this would bolster an uneasy
peace. Unfortunately the wedding provoked the murder of
some 50,000 Protestants on the night of August 24 - St.
Bartholomew's Day - 1572.
(The film is generally religiously neutral,
but inexplicably omits to portray the Pope ordering a Te
deum and having medal struck to celebrate the murder
of the Protestant leader Coligney, after Coligney's severed
head was sent to His Holiness.)
So to the film:
Margot (Isabelle Adjani) is married early
in the film to Henri de Navarre (Daniel Auteuil), the Protestant
prince destined to become King Henri IV.
As this is a political marriage, they
there is no affection between them, their union is for the
purpose of ending a religious war.
19-year-old Margot takes a shine to the
Marquis de la Mole (Vincent Perez), a nobleman she finds
in the streets.
The Queen, Catherine de Medici meanwhile
plays politics with her three sons, who mope around like
dim spoiled brats. .Catherine maintains her power through
them and through violence and poisonings. Her whole family
seem rather unconventional and unpleasant, and there are
numerous heavy hints about incest.
The Bartholomew's Day Massacre is well
portrayed, and there is a subplot involving a poisoned book.
Any reader, licking his finger to turn the pages of thisbook,
will poison himself (pace Umerto Eco's Name of
the Rose). When the wrong man picks up the book, the
succession to the throne is threatened.
The film avoids avoids the vacuity of
so many big-screen historical epics, and if anything makes
exactly the opposite mistake of expecting extensive historical
knowledge from its viewers.
Spectacular performances include Virna
Lisi as Catherine, Jean-Hughes Anglade as the wimpy King
Charles IX and Isabelle Adjani, one of the more remarkable
actresses of her generation, who does a fine job of portraying
Margot.
The movie was trimmed to 143 minutes for
foreign audiences.
The story is based on a novel by Alexandre
Dumas (père).
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Genre: Historical drama.
Year 1994
Runtime: 143 mins (originally 162 mins)
Director: Patrice Chéreau
Country: France
Writing credits:
Alexandre Dumas père
Danièle Thompson (scenario & adaptation)
Patrice Chéreau (scenario & adaptation)
Danièle Thompson (dialogue)
Produced by
Claude Berri, producer
Pierre Grunstein, executive producer
Carsten Meyer-Grohbrügge, assistant producer
Original Music: Goran Bregovic
Cinematography: Philippe Rousselot
Color: Colour
Sound Mix: Dolby
Cast
Isabelle Adjani — Margot
Daniel Auteuil — Henri de Navarre
Jean-Hugues Anglade — Charles IX
Vincent Perez — La Môle
Virna Lisi — Catherine de Médicis
Dominique Blanc — Henriette de Nevers
Pascal Greggory — Anjou
Claudio Amendola — Coconnas
Miguel Bosé — Guise
Asia Argento — Charlotte of Sauve
Julien Rassam — Alençon
Thomas Kretschmann — Nançay
Jean-Claude Brialy — Coligny
Jean-Philippe Écoffey — Condé
Albano Guaetta — Orthon
Johan Leysen — Maurevel
Dörte Lyssewski — Marie Touchet
Michelle Marquais — La nourice
Laure Marsac — Antoinette
Alexis Nitzer — Un conseiller
Emmanuel Salinger — Du Bartas
Barbet Schroeder — Un conseiller
Jean-Marc Stehlé — L'aubergiste
Otto Tausig — Mendès
Bruno Todeschini — Armagnac
Tolsty — Le bourreau
Bernard Verley — Le Cardinal
Ulrich Wildgruber — René
Laurent Arnal — Protestant
Gérard Berlioz
Christophe Bernard — Charles IX's
Bodyguard
Marian Blicharz — Polish Ambassador
Daniel Breton — Thief
Pierre Brilloit
Valeria Bruni Tedeschi — 2nd Escardon
Volant
Cécile Caillaud — Henriette's
Servant
Marc Citti — Crussol
Grégoire Colin — Jeune Egorge
Erwan Dujardin — Page
Jean Douchet — Eveque
Philippe Duclos — Telligny
Marina Golovine — Lady in Waiting
Zygmunt Kargol — Polish Abassador
Carlos López — Gaede Nancay
Orazio Massaro
Roman Massine — Charles IX's Bodyguard
Charles Nelson — Commis Rene
Bernard Nissile — Protestant
Julie-Anne Rauth — Fille Cuisine
Egorge
Jean-Michel Tavernier
Béatrice Toussaint
Melanie Vaudaine — 1st Escadron Volant
Nicolas Vaude — Protestant
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Title
|
Year |
Director |
Genre |
|
|
| |
1. |
Jean de Florette / Manon des Sources |
1986 |
Claude Berri. |
Historical drama / modernised Greek
Tragedy |
|
|
| |
2. |
Gazon Maudit |
1995 |
Josiane Balasko |
Comedy |
|
|
| |
3. |
Le Retour de Martin Guerre |
1982 |
Daniel Vigne |
Historical Drama |
|
|
| |
4. |
La Cage Aux Folles |
1978 |
Edouard Molinaro |
Comedy |
|
|
| |
5. |
Delicatessen |
1991 |
Marc Caro & Jean-Pierre Jeunet |
Comedy, Sci-Fi |
|
|
| |
6. |
Belle
de Jour |
1967 |
Luis Buñuel |
Erotic Drama |
|
|
| |
7. |
La
Belle et la Bête |
1946 |
Jean Cocteau |
Drama, Fantasy |
|
|
| |
8. |
Jules et Jim |
1961 |
François Truffaut |
Drama, Romance |
|
|
| |
9. |
Diva |
1981 |
Jean-Jacques Beineix |
Thriller, Drama, Music |
|
|
| |
10. |
Jésus
de Montréal |
1989 |
Denys Arcand |
Drama |
|
|
| |
11. |
Ma Vie en Rose |
1997 |
Alain Berliner |
Comedy Drama |
|
|
| |
12. |
Un Coeur En Hiver |
1992 |
Claude Sautet |
Romantic Drama |
|
|
| |
13. |
Monsieur
Hire |
1989 |
Patrice Leconte |
Drama, Crime, Thriller, Romance |
|
|
| |
14. |
La Femme Nikita |
1990 |
Luc Besson |
Thriller, Action, Crime, Drama, Romance |
|
|
| |
15. |
Le
Placard |
2001 |
Francis Veber |
comedy Drama |
|
|
| |
16. |
La
Reine Margot |
1994 |
Patrice Chéreau |
Historical Drama. |
|
|
| |
17. |
Betty
Blue |
1986 |
Jean-Jacques Beineix |
Romantic Drama |
|
|
| |
18. |
Le
Grand Bleu |
1988 |
Luc Besson |
Romantic Drama |
|
|
| |
19. |
La
Controverse de Valladolid |
1992 |
Jean-Daniel Verhaeghe |
Historical Drama |
|
|
| |
20. |
Amélie |
2001 |
Jean-Pierre Jeunet |
Comedy, Drama, Romance |
|
|
| |
21. |
Les Visiteurs |
1993 |
Jean-Marie Poiré |
Fantasy, Comedy |
|
|
| |
22. |
Une
Hirondelle a Fait Le Printemps |
2001 |
Christian Carion |
Comedy Drama |
|
|
| |
23. |
Blue
(Three Colors Trilogy) |
1993 |
Krzysztof Kieslowski |
Drama |
|
|
| |
24. |
White
(Three Colors Trilogy) |
1994 |
Krzysztof Kieslowski |
Drama |
|
|
| |
25. |
Red
(Three Colors Trilogy) |
1994 |
Krzysztof Kieslowski |
Drama |
|
|
| |
26. |
Breathless |
1959 |
Jean-Luc Godard |
Drama |
|
|
| |
27. |
Caché |
2005 |
Michael Haneke |
Drama |
|
|
| |
28. |
La Cité des Enfants Perdus |
1995 |
Jean-Pierre Jeunet and Marc Caro |
Fantasy Drama |
|
|
| |
29. |
Ridicule |
1996 |
Patrice Leconte |
Historical (18thC) Drama |
|
|
| |
30. |
The
Last Metro |
1980 |
Francois Truffaut |
Historical (WW2) Drama |
|
|
| |
31. |
8 Femmes
|
2001 |
Francois Ozon |
Drama |
|
|
| |
32. |
Les
Enfants du Paradis |
1945 |
Marcel Carne |
Drama |
|
|
| |
33. |
Le Charme Discret de la Bourgeoisie |
1972. |
Luis Buñuel |
Surreal Black Comedy |
|
|
| | 34. |
La
Pianiste |
2001 |
Michael Haneke |
Drama |
|
|
| |
35. |
Les
Quatre Cent Coups |
1959 |
Francois Truffaut |
Drama |
|
|
| |
36. |
La
Haine |
1995 |
Mathieu Kassovitz |
Drama |
|
|
| |
37. |
Swimming
Pool |
2003 |
Francois Ozon |
Psychological Thriller and Mystery |
|
|
| |
38. |
Cyrano
de Bergerac |
1990 |
Jean-Paul Rappeneau |
Historical (18C) Drama / Romance |
|
|
| |
39. |
Hiroshima,
Mon Amour |
1959 |
Alain Resnais |
Romantic Drama |
|
|
| |
40. |
La
Fille sur Le Pont |
1999 |
Patrice Leconte |
Drama, Comedy, Romance |
|
|
| |
41. |
La
Double Vie de Véronique |
1991 |
Krzysztof Kieslowski, |
Psychological Drama |
|
|
| |
42. |
La
Lectrice |
1988
|
Michel Deville |
Drama, Comedy |
|
|
| |
43. |
Lunes de Fiel (Bitter Moon) |
1992
|
Roman Polanski |
Sado-masochistic Erotic Drama |
|
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